A series of short articles on the Bhagavad Gita for
busy, stressed people living and working in these volatile, uncertain, complex
and ambiguous times. This scripture born in a battlefield teaches us how to
face our challenges, live our life fully and achieve excellence in whatever we
do.
[Continued from the previous post]
Sanjaya
said: O Bharata, thus told by Gudakesha, Hrishikesha took the magnificent
chariot between the two armies and stopping it facing Bhishma and Drona and
other kings said, “Arjuna, see the assembled Kurus.”
The word used by Sanjaya here for Krishna is Hrishikesha,
a word that means master of the senses – hrishika means senses and isha means
master. What exactly does mastery over the senses mean?
The Katha Upanishad using the metaphor of the
chariot calls our senses the horses that draw the chariot that is our body
because it is the senses that lead us out into the world – indriyaani hayaan
ahuh, says this ancient Upanishad that belongs to the Krishna Yajur Veda. These
horses can be disciplined and trained, or they can be wild. How we live our
life will depend on whether they are wild or disciplined.
Wild horses yoked to our chariot lead us to
disaster and so do uncontrolled senses. To live a life led by uncontrolled
senses is to be a slave to our senses and to our body. Such people live for the
body, as though we are nothing more than the body.
Swami Vivekananda once said: “You may be the greatest philosopher, but as
long as you have the idea that you are the body, you are no better than the
little worm crawling under your foot! No excuse for you! So much the worse for
you that you know all the philosophies and at the same time think you are the
body!”
Look at this picture of extreme sense
indulgence from our contemporary life. The middle aged man is lying on a
recliner with his hand on the naked shoulders of a young, beautiful woman next
to him whose services he has hired for the day. In the room the TV is on in
front of him and not far from him a music player is loudly playing some fast music.
He is watching the TV and listening to the music at the same time, while his
hand is moving gently over the skin of the hired woman, softly caressing her. Every
now and then he takes a sip of vodka from the mug he holds in his other hand
and in the gaps between the sips, the girl picks up potato chips from the bowl
kept in front of him and places them in his mouth, giving him a kiss along with
the chip.
This is considered to be the very acme of
sensual enjoyment for a man. While this picture is from our times, life in the
past, for those who could afford it, was no different, except that in place of the
TV and the music player they had live performers singing and dancing in front
of them and in place of the hired woman each had a harem of women surrounding them.
Life of sensuality hasn’t changed, except in
superficial aspects. A slave to the senses five thousand years ago was the same
as a slave to the senses today.
The Mahabharata tells us the story of Emperor
Nahusha, an ancestor of the Kurus, who was invited to the heaven to become its
ruler while Indra had to go into hiding for the sin of killing the asura Vritra.
In the heaven however Nahusha who was the greatest ruler on earth, soon fell a
prey to a life of the senses. Every moment awake he started spending in the
pleasures of the senses, listening to heavenly music, watching heavenly dances,
enjoying heavenly food and drinks and indulging in sex with the apsaras, until
he fell asleep exhausted only to continue his life of pleasure the moment he
woke up. One day he was in the Nandana Gardens surrounded by his coterie when
he saw an incredibly beautiful celestial woman passing by. Asked who she was,
he was told that she was Indrani, the wife of Indra. “If she is the wife of
Indra and I am Indra now,” Nahusha asked shocking even his coterie, “why has
she not yet come to my bed?”
Terrified, the chaste Indrani sought the
advice of Brihaspati, the guru of the gods, and of Indra himself and as asked
by them, told Nahusha she would receive him in her bed if he came to her in a
palanquin carried by the saptarshis, the seven divine sages. They agreed to
carry him to Indrani but in his impatience he kicked one of them, Agastya, on
his shoulder, asking him to hasten, saying sarpa, sarpa, meaning hurry, hurry.
The sage in turn cursed him and turned him into a sarpa, a snake.
Nahusha’s son Emperor Yayati too lived a life
of sensuality and his name became a synonym for lust, so deeply did he sink
into a life of the senses. But towards the end of his life he realized that a
life of the senses cannot satisfy man and said: na jaatu kaamah kamaanaam
upabhogena shaamyati; havishaa krishnavartmaiva bhooya eva abhivardhate – “Verily,
desire can never be satisfied by indulgence. The more you indulge in them, the
more demanding they grow just as fire grows when you offer havis into it.”
Both emperor Shantanu and his son
Vichitraveerya destroy themselves through slavery to the pleasures of the
senses. In a moment of frustration, Pandu calls his father Vichitraveerya a
kamatma, meaning a man whose very soul is lust.
That is slavery to the senses.
O0O
Today the world in general is living the
philosophy of the setting sun, as the Tibetan teacher Chogyam Trungpa calls it
in his celebrated classic Shambhala: the Sacred Path of the Warrior. The philosophy of the setting sun says there is
only one life, it begins at birth and ends with death, and the way to live is
to enjoy all the pleasures you can while you are alive, just as you try to
visit all the places you can when you are on a short conducted tour, crowding
your schedule without wasting even one moment. This is the ancient Indian
philosophy of the Charvakas too, who said:
yaavad jeevet sukham jeevet rnam krtvaa ghrtam pibet
bhasmeebhootasya
dehasya punar aagamanam kutah
“So
long as you live, live merrily! Borrow and enjoy the best! Once the body is
reduced to ashes, from where does it come back!”
Those who live for the senses seek the
purpose of life in sense gratification, pursuing pleasure after pleasure,
frequently several pleasures at the same time because you don’t have time
enough to enjoy them all separately and you don’t want to miss any. Since such
a life cannot give you any satisfaction or contentment, you end up filled with
still more desire, longings, lust, anger, greed, delusion, pride and jealousy.
Anxiety, hatred, depression, frustration, and disappointment become your very
nature.
The Mahabharata speaks of Krishna as: 1. A
great master of yoga, a yogeshwara; 2. An incarnation of the yogi Narayana, the
friend of the yogi Nara; and 3. God incarnated in a human body. In whatever way
you see him, he is someone who has realized that a life of sensuality does not
give us lasting satisfaction. He is no
more a slave to the hungers and thirsts of the senses. Instead he is a master
of the senses, someone who uses the senses as their master: a Hrishikesha.
Mastery over the senses does not mean
complete denial of the senses, suppressing them totally. The senses are very
real, their needs are very real and we must give unto them what is theirs,
taking care to see that they do not enslave us. A master driver of a car does
not keep the break pressed down all the time, nor the accelerator. He steps on
them when required, takes his foot off when required. Exactly like that you
don’t suppress the senses all the time, but instead enjoys the pleasures they
bring remaining their master. The world is prakriti and purusha dancing
together and what an amazing dance it is! When we remain masters our ourselves
and join this dance, life becomes a wonderful kreeda, an amazing leela.
What is criticized as disastrous is not
sensual pleasures but slavery to them.
Krishna calls those who suppress the senses but think of sensual
pleasures in their mind all the time hypocrites:
karmendriyaaṇi
sanyamya ya aaste manasaa smaran
indriyaathaan vimooḍhaatmaa mithyaachaaraḥ sa uchyate BG 3.6
indriyaathaan vimooḍhaatmaa mithyaachaaraḥ sa uchyate BG 3.6
Those
deluded fools who restrain the organs of action but continue to dwell on sense
objects in the mind, hypocrites they are called.
Krishna is the most life assertive spiritual master
known to man. He believes in living life in utsava bhava, in the spirit of
festivity, celebrating every moment, enjoying everything we do, living life to
the full, but as a master of the senses and not as their slave. He has no
compulsions to wage a war with the senses, to suppress them, because they are
always under his command, as disciplined horses yoked to a chariot are under
the command of the master driver.
He is truly a Hrishikesha as Sanjaya refers
to him. The way of life he teaches is neither of the denial of the world of
pleasures nor of plunging blindly into sensual indulgence. His is the path of
awakened living. As a master of yourself, as a master of your senses, as a
master of your body, as a master of your mind. As a swami, and not as a dasa.
And if you are a master, then samsara, the world of sense objects is not your
enemy, they do not tempt you, do not enslave you, conquer you.
Ancient India talked of asidhara vrata and
awakened masters practiced that path of the heroes. Asidhara means the edge of
the sword and asidhara vrata is the vow of walking on the edge of the sword. It
is living in the middle of all kinds of pleasures, enjoying them all and yet
not being bound by them.
It is called the path of the heroes because
it requires heroic courage and immense mastery over yourself to live it.
Greek mythology tells us the story of
Odysseus and the sirens. Odysseus, the hero of the Odyssey, had to sail by the
island of the sirens whose music was so hauntingly beautiful that no man who
heard it could control himself. Men jumped into the rough sea trying to reach
them and drowned. The island was surrounded by mountains of bones of men who
had thus perished. Though warned of this danger by the sorceress Circe, Odysseus
wanted to enjoy the music and yet not lose his life for it. So as they
approached the island, he asked his sailors, who were also his friends, to tie
him to the mast of the ship and not to release him whatever happened. He told
them he would fight to get free, shout and yell at them, scream and threaten
them, but if they loved him they should not release him until they were far
away from the island. As for themselves, Odysseus asked them to fill their ears
with bee wax so that the waves of the song of the sirens did not reach them.
As the ship approached the island of the
sirens, Odysseus tied to the mast started shouting and screaming and
threatening them, shrieking and bawling at them, ordering them as the captain
of the ship to untie his ropes. He was going insane! But they loved their friend and captain and had
more sense than to obey him. Soon they passed the islands and were away from
the soul melting notes of the song of the sirens. It is only then that they
released him. The story ends by telling us that Odysseus, also known as
Ulysses, thus became the first man to listen to the song of the sirens and yet
remain alive.
When India speaks of asidhara vrata, India
asks us to do something even more difficult: Listen to the song of the sirens,
expose yourselves to their temptation, and yet remain untempted, without the
binding of the ropes, by retaining your mastery over yourselves. Of course, it
is as difficult as walking on the edge of the sword, if not more.
Ancient India tells us of monks spending
their chaturmasya, the rainy season retreat of four months, in the house of rich
prostitutes who invited them and leaving at the end of the retreat with the
prostitutes transformed into their monastic followers, bhikshunis.
But it is difficult indeed, almost impossible
even for great masters, what to speak of ordinary people. In the Hindi movie
Nishabd we have Vijay in his sixties, played by Amitabh Bachan, falling head
over heels in love with the beautiful teenager Jiah, played by Jiah Khan, his
daughter’s same age friend. The girl had come to his home to spend her school
vacation with his daughter and he becomes obsessed with the temperamental,
unpredictable, self-centered and at the same time irresistibly charming Lolita
after spending a day alone with her in his sprawling tea estate among rows and
rows of mountains of the High Ranges of Kerala. Reminded of who he is and who
the young girl is, Vijay finally orders her to leave their home, but is never
able to come out of his destructive infatuation with her that he considers true
love. He contemplates suicide but does not do that only so that he can live
with Jiah’s memory for some more time.
In modern industry, business, politics and
other walks of life, there are endless examples for people failing in their
mastery over themselves and losing everything, ending up as a shame for
themselves and everyone else, the most famous of which being that of an
erstwhile American President.
That is the reason why when the Mahabharata
discusses leadership, which it does in great detail, one of the first thing it
says is: atmaa jeyah sadaa raajnaa – a leader should always be a master of himself.
Even if you have everything else, if you have no control over yourself, you
will destroy yourself.
The best way to develop mastery over oneself
is conscious living – mindful living, being aware of whatever you do. You could
begin this with simple acts, like having a cup of coffee mindfully, and then
slowly extend your mindfulness into everything you do, whether it is taking a
walk, or whatever else.
We can also train ourselves in self mastery by
following the 110% principle. The principle asks us to set targets for
ourselves just outside our present limits, our comfort zone, and master it.
Once the higher target is mastered, that becomes your comfort zone and you set
a target just outside it. It is amazing what you can achieve using this
principle.
Years ago when I used to teach a course
called theatre in education, I tried an experiment based on this principle with
my students using the game of ball bouncing as a challenge. Over time, my
students were able to move from twenty bounces to a thousand and more bounces
without dropping the ball or moving from their place.
A young lady I know was a chain smoker and it
is through this principle that she quit smoking. She set a target for herself –
she wouldn’t smoke for one hour. And the next target was not smoking for
seventy-five minutes and then for ninety minutes and so on. Today she has quit
smoking completely, and not only that, she has helped several others to quit
smoking!
You can practice getting rid of other forms
of addiction using this principle. You can practice mindfulness and self
mastery itself using this principle. You can practice anger management using
this principle. Endless are the possibilities. And every time you become a
master of yourself, you become a Hrishikesha in your own right!
O0O
Photo
courtesy: Devender Malhotra
Thank you in advance for your questions and
comments.
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