Showing posts with label Arabian Nights. Show all posts
Showing posts with label Arabian Nights. Show all posts

Friday, December 31, 2010

Arabian Nights, Ananda Mimamsa and Happiness













I know an executive whose income runs into several lakhs per month and yet rarely have I seen him smiling.

In contrast, one of the happiest faces I have seen is that of my milkman Ketan. It may be peak winter, as it is now, or it may be raining torrentially as it was a couple of months ago – but he invariably greets me with a cheery good morning as he comes to deliver milk packets every day without fail. In the rainy season he wears a rain coat and goes from house to house to deliver the milk, stopping his bicycle in front of each house and getting down to walk to the front door. His clothes will be drenched in spite of the raincoat and inside the clothes, his body will be drenched. In winter, he would be shivering inside the old windcheater he wears. But that does not reduce his smile or the cheerfulness in his voice.

I made a social visit to a doctor sometime last year. We were friends, sort of. He is on the staff of a large hospital as a fulltime senior doctor, and saw patients at home before he went to the hospital in the morning – private practice. When he came home for lunch, he again saw patients. In the evening when he came back from the hospital, there were more patients waiting for him at home – he spent two or three more hours seeing them then.

When I visited the doctor on that day, he had finished his consultancies for the day and was somewhat relaxed. His wife brought us tea and we talked over the tea. Or rather, he talked and we listened – his wife, my wife and I. And he talked for more than an hour and a half, until I said we had to go, it was getting late, and he reluctantly stopped.

What the doctor talked about for an hour and half was about how his lot was worse than that of a rickshawwalla. Literally. The bitter doctor bickered about how the riskshawwalla makes more money in terms of the investments he has made. Looking back later we found it difficult to believe this, but he had earnestly and sincerely argued for full ninety minutes that he earned less in terms of his investments compared to a rickshaw puller. He spoke of the years he had spent as a student working hard so that he can join medicine, of the years he had spent as a medical student, of the years he had spent as intern, of the years he had spent as a fresh doctor; he spoke of the hours he had to study during each of these years and of the hardships he had to put up with, of the nights of sleep he lost in the process, and of the money he had invested at each stage. What did a rickshaw puller invest, he asked me rhetorically. Wasn’t the rickshawwalla making more money than he was?

0o0

I have always loved the Arabian Nights, right from my childhood days when I read stories of Sindbad, Alladin, Hatim Tai, Harun al Rashid, and of course of Ali Baba and the Forty Thieves. [Once, some thirty years ago, I took a group of, mostly, executives from two of India’s leading corporate houses for a fifteen-day study and meditation camp in the Himalayas. The executives were all older than me, I was the youngest. I remember the group in a moment of fun naming me Ali Baba and themselves the forty thieves – they were forty in number. I enjoyed it.] I have with me different versions of the Nights and I love picking up a volume and reading a story randomly every now and then.

Yesterday I came across a volume of Powys Mathers’ translation of the Nights in a used books shop and purchased it – I have a particular affection for this translation, done from the literal and complete version of Dr JC Mardrus’ original French translation of the Nights. Later, in the evening, I began reading the volume. One of the stories I read was The Tale of The Two Lives of Sultan Mahmud. This is how the story, told by Scheherazade starting on the eight-hundred and nineteenth night, begins:

“It is related, O auspicious King, that Sultan Mahmud, who was one of the wisest and most glorious of the Egyptian rulers, used often to sit alone in his palace, weighted down by a causeless sadness and beholding the world black before his eyes. At these times, life was tasteless to him and without significance; yes, even though Allah had given him, without stint, health and youth, power and glory, and for his capital, the most delicious city of the earth, where his eyes might ever be rejoiced by flowers, serene skies and women gilded like the waters of the Nile. These gifts were forgotten during the hours of royal sadness and Mahmud envied the lot of drudges bent over the furrow, and travellers lost in the waterless desert.”

One day the sultan was sitting alone, lost in his own dark world. His was more deeply dejected than usual. His inner world was bleak and the world outside looked to him blacker than ever. He refused to eat and drink, or to attend to his duties as king. There was only one thing he desired: that dark object of desire for all men lost in bottomless melancholy – death.

It was then his chief wazir came to him, informing that someone was waiting to meet him – a very old man. “If I may judge by his words,” said the wazir, “he is the greatest sage, the wisest doctor, and the most extraordinary magician who has ever lived among the sons of men.” The sultan silently agreed to meet him.

The withered old man who entered did not kiss the ground in front of the sultan or bow down deeply, as was the custom. Instead he announced in a voice that reflected nothing but authority that he has come to make him, the sultan, conscious of the gifts which Allah had showered upon him. He then took the sultan by hand and dragged him roughly towards one of the four windows of the chamber in which they were. “Open!” he commanded pointing at the window. Obediently Sultan Mahmud opened the window. “Look!” the old man commanded again.

“Sultan Mahmud put his head out of the window and beheld a vast army of riders pouring down upon him from the mountain citadel, and waving naked swords. The first lines had already come to the palace foot and were climbing the walls with a clamour of war and death. Mahmud understood that his troops had mutinied, and came to kill him. He changed colour and cried: ‘There is no God save Allah! This is the hour of my destiny!’”

The old man immediately shut the window and opened it again in a single movement. The army had disappeared now. The whole palace stood enveloped in peace, as did the city around it with its four hundred minarets.

Without giving Sultan Mahmud time to recover, the old man then took him to the second window. What the sultan saw when he opened it and looked out made him recoil in horror. “The four hundred minarets of the mosques, the domes of the palace, the thousand fair terraces stretching as far as the eye could reach, were all one flaming fire, fanned by cries of terror, and belching up black smoke to hide the sun. A savage wind whooped on the flames towards the palace, until the fair building was only cut off from that red ocean by the fresh green of the gardens.” But when the old man shut the window and opened it again, the fire had disappeared and everything stood bathed in serenity everywhere.

Again the old man rushed the sultan to the third window through which he saw a furious Nile rushing towards the city to swallow it up. The waves were so tall that the tallest terraces were already under water and the river was rushing towards the palace in a violent rage. The flood had disappeared when the old man closed the window and opened it again.

What Sultan Mahmud saw through the fourth window to which the old man had dragged him without giving him time to relax was not the green fields that were there, carpeted with roses and sweet basil, narcissus and jasmine, thickets of orange trees. There were no sweet singing birds there that usually filled the whole place with their wonderful music. Instead, Mahmud saw “a red and white desert of terror burned by an inexorable sun; among its aching rocks laired starving jackals and hyenas; vile snakes sped swiftly to and fro upon it.” The sight disappeared and the green reappeared, teeming in flowers and fruits and singing birds as the old man closed and opened the window once again.

Mahmud was now utterly confused and terrified. He was no more sure whether he was awake or asleep, sane or insane. But the old man gave him no time to relax and collect himself. Instead he dragged the sultan to a small fountain that was in the chamber and commanded “Look!” pointing at the water at the base of the fountain. As Mahmud bent down to look into it, two old hands with unbelievable power forced his head under the water.

0o0

Sultan Mahmud now found himself shipwrecked at the foot a mountain that overlooked the sea. He still wore his royal clothes and his crown. At some distance were a group of rough looking people. They were looking at him and making rude gestures. He walked towards the group and announced: “I am Sultan Mahmud. Depart!”

The people laughed at him all the more. The chief of the group came to him and removed his clothes and picked up his crown. He threw the whole lot the sea, and told him, ‘Dress sensibly.” He forced the sultan to wear the coarse farmer’s clothes they were wearing. “Come and work with us,” he told Mahmud, “for in our country those who do not work must starve.”

“I do not know how to work,’ Sultan Mahmud objected. ‘But you can be an ass,’ retorted the man. ‘Anyone can be an ass.”

They dumped all their tools on him and he staggered along behind them, carrying their spades, harrows, pickaxes and rakes. When he reached the village, he was shut into an old stable and given an onion and some stale bread to eat. By the morning, he found that he had turned into an ass – but with all his human memories intact.

In the morning he was taken out for ploughing the field. He refused to budge from his place and they beat him brutally. He brayed in intolerable humiliation and agony. For braying was the only thing he could do now – he was a donkey and had no human speech. Finding him stubborn and useless, the farmers sold him to a miller.

The miller blindfolded him and tied him to the mill, forcing him to turn the mill for hours at a stretch without a break. The miller mercilessly used his goad and stick on him, apart from the constant shower of curses and kicks. His food was a daily ration of beans along with a bucket of water and his only rest was the time he took to eat the beans and drink the water. The former sultan now kept treading along from dawn to dusk turning around the mill, walking in his own dung and urine all the time.

It was five years later that an accident saved from the miller – one day the roof of the mill collapsed on his head. Sultan Mahmud found himself a human being once again.

He now found himself a stranger in an unknown city where an old man spoke kindly to him. The old man enquired if he would be staying in that city for long, adding that he would be welcome there since he was young, strong and handsome. “I would stay in any place where they did not feed me beans,” replied Mahmud.

The old man assured him that he does not have to worry on that account – he would be eating the best food possible every day of his life. “Now,” he continued, “go and stand outside the hammam at the corner of this street and ask every woman as she comes out if she is married or single. When one tells you she is single, you will become her husband instantly, for that is the law of our land. But be very careful not to omit a single woman from your questioning, or you will find yourself in grave trouble; for that is also the law our land.”

The first female Mahmud saw coming out of the hammam was a pretty girl of thirteen. “This would console me for all my troubles,” he thought. He asked her his question and the girl informed him she had already married a year ago.

The next woman to come out of the hammam was an ugly old hag. Mahmud shivered as he saw her – he had never seen a woman half as monstrous as she was. “I would rather die of hunger or become an ass again than marry this venerable ruin,” he thought. But the old man who had befriended him had talked of the consequences of leaving out any woman who came out of the public bath. He asked his question, and, to his relief, the woman told him she was married.

The next woman to come out was infinitely older and uglier than this one. Mahmud had never seen anything – anything at all – as disgusting as this one was. But he had to ask his question – he had no choice. “Are you married or single?” he asked her in a voice quaking with terror at the prospect of having to marry her. And pat came her reply, “Single, O eye of my eye.”

“I am an ass, good aunt, I am an ass! Look at my ears, look at my tail! Nice old women do not marry asses,” he told her in a begging voice. But she had already fallen in love with him. She was taking steps towards him, her mouth poised for a kiss, her harms spread out to gather him in them. Her hands were now holding his head in them and she was bringing her mouth to his.

Mahmud shook his head in violent disgust. He was finding it difficult to breathe. He fought for air, fought for his life with all his might and with a final frenzied struggle, pulled his head back.

He found he had pulled his head out of the fountain and was struggling to breathe again. He looked around. He was in his palace. His wazir was standing on his right and the old man was on his left. There was one of his favourite slave girls standing in front of him, holding out to him on a gold salver a cup of sherbet that he had commanded a few moments before the wazir had come to him to inform him of the old man wanting to meet him.

Relief flooded him. He was a king. He was not shipwrecked, he was not an ass, he was not the husband of that disgusting old, old woman. Of what a pleasure it was to be a sultan, what a privilege! Sultan Mahmud wanted to shout, he wanted to sing, he wanted to dance for joy.

But the old man had begun speaking to him. “Peace be with you, Sultan Mahmud! I am here to make you conscious of the gifts that Allah has showered upon you.” With that he disappeared, leaving no trace behind, as though he had never existed at all.

Sultan Mahmud fell to his knees, weeping; he banished sorrow from his heart, and being happy, began a life that spread happiness about him.

0o0

The Taittiriya Upanishad has something incredibly beautiful to say about happiness, ananda, which is the ultimate object of search of all beings. It speaks about it in a small section called the Ananda Mimamsa – an enquiry into happiness, a study of happiness.
The Mimamsa asks us to imagine a young man. He is young, he is noble, he is educated, firm in body and strong, and he is the master of the entire earth with all its wealth. Let’s call the highest joy such a man is capable of experiencing a single unit of human happiness, says the Mimamsa.

Multiply that happiness a hundred times, continues the Mimamsa, and that is one unit of happiness of the gandharvas of earth. And a hundred times the happiness of the gandharvas on earth is one unit of the happiness of the celestial gandharvas. And a hundred times the joy of celestial gandharvas is one unit of happiness of the manes and a hundred times that is one unit of happiness of the gods in the transient heavens and a hundred times that, one unit of happiness of the sacrificial gods.

And a hundred times that happiness, says the Upanishad, is the happiness of the gods; and a hundred times that, the happiness of Indra. A hundred times that is one unit of bliss of Brihaspati; and a hundred units of that, one unit of the bliss of Prajapati. The happiness of Prajapati, multiplied one hundred times, is one measure of the bliss of Brahma.

As the Upanishad makes this count, it tells us at each stage: and that is also the bliss of a man versed in wisdom and free from desires. That is, the young man, cultured, educated, healthy, owning the entire earth with all its wealth experiences no more happiness than the man versed in wisdom and is free from desires. Indra experiences no more happiness than the man versed in wisdom and is free from desires. Nor does Brihaspati, Prajapati or Brahma experience any more happiness than the man versed in wisdom and is free from desires.

The highest happiness belongs to a man versed in wisdom and is free from desires. A man who has learnt to accept things as they are and surrender to them. A man who is not a victim to the fires of insatiable desire.

As the cheery smile and happy greeting of my milkman shows, one can be happy in the most ordinary circumstances too.

And as the instance of the executive who makes several lakhs every month shows, and as the instance of my doctor friend who feels he is less fortunate than the rikshaw puller shows, one need not necessarily be happy in the middle of riches.

A sultan can be unhappy too, until he learns to count his good fortunes.

Happiness comes from being contented and accepting. Where there is no contentment or acceptance, there is no happiness.

Years ago a Christian nun who was then my student gifted to me a copy of the Bible. Giving the book to me she wrote on the front page, quoting the Bible itself: “Happy the man who finds wisdom.”

Wisdom is finding contentment. Wisdom is finding acceptance. Wisdom is counting one’s blessings.

It is not the rich man that finds happiness. It is not the powerful man that finds happiness. It is not the famous man that finds happiness.

It is only the wise man that finds happiness.

Happiness is finding contentment. Happiness is finding acceptance. Happiness is counting one’s blessings.

0o0














I know an executive whose income runs into several lakhs per month and yet rarely have I seen him smiling.

In contrast, one of the happiest faces I have seen is that of my milkman Ketan. It may be peak winter, as it is now, or it may be raining torrentially as it was a couple of months ago – but he invariably greets me with a cheery good morning as he comes to deliver milk packets every day without fail. In the rainy season he wears a rain coat and goes from house to house to deliver the milk, stopping his bicycle in front of each house and getting down to walk to the front door. His clothes will be drenched in spite of the raincoat and inside the clothes, his body will be drenched. In winter, he would be shivering inside the old windcheater he wears. But that does not reduce his smile or the cheerfulness in his voice.

I made a social visit to a doctor sometime last year. We were friends, sort of. He is on the staff of a large hospital as a fulltime senior doctor, and saw patients at home before he went to the hospital in the morning – private practice. When he came home for lunch, he again saw patients. In the evening when he came back from the hospital, there were more patients waiting for him at home – he spent two or three more hours seeing them then.

When I visited the doctor on that day, he had finished his consultancies for the day and was somewhat relaxed. His wife brought us tea and we talked over the tea. Or rather, he talked and we listened – his wife, my wife and I. And he talked for more than an hour and a half, until I said we had to go, it was getting late, and he reluctantly stopped.

What the doctor talked about for an hour and half was about how his lot was worse than that of a rickshawwalla. Literally. The bitter doctor bickered about how the riskshawwalla makes more money in terms of the investments he has made. Looking back later we found it difficult to believe this, but he had earnestly and sincerely argued for full ninety minutes that he earned less in terms of his investments compared to a rickshaw puller. He spoke of the years he had spent as a student working hard so that he can join medicine, of the years he had spent as a medical student, of the years he had spent as intern, of the years he had spent as a fresh doctor; he spoke of the hours he had to study during each of these years and of the hardships he had to put up with, of the nights of sleep he lost in the process, and of the money he had invested at each stage. What did a rickshaw puller invest, he asked me rhetorically. Wasn’t the rickshawwalla making more money than he was?

0o0

I have always loved the Arabian Nights, right from my childhood days when I read stories of Sindbad, Alladin, Hatim Tai, Harun al Rashid, and of course of Ali Baba and the Forty Thieves. [Once, some thirty years ago, I took a group of, mostly, executives from two of India’s leading corporate houses for a fifteen-day study and meditation camp in the Himalayas. The executives were all older than me, I was the youngest. I remember the group in a moment of fun naming me Ali Baba and themselves the forty thieves – they were forty in number. I enjoyed it.] I have with me different versions of the Nights and I love picking up a volume and reading a story randomly every now and then.

Yesterday I came across a volume of Powys Mathers’ translation of the Nights in a used books shop and purchased it – I have a particular affection for this translation, done from the literal and complete version of Dr JC Mardrus’ original French translation of the Nights. Later, in the evening, I began reading the volume. One of the stories I read was The Tale of The Two Lives of Sultan Mahmud. This is how the story, told by Scheherazade starting on the eight-hundred and nineteenth night, begins:

“It is related, O auspicious King, that Sultan Mahmud, who was one of the wisest and most glorious of the Egyptian rulers, used often to sit alone in his palace, weighted down by a causeless sadness and beholding the world black before his eyes. At these times, life was tasteless to him and without significance; yes, even though Allah had given him, without stint, health and youth, power and glory, and for his capital, the most delicious city of the earth, where his eyes might ever be rejoiced by flowers, serene skies and women gilded like the waters of the Nile. These gifts were forgotten during the hours of royal sadness and Mahmud envied the lot of drudges bent over the furrow, and travellers lost in the waterless desert.”

One day the sultan was sitting alone, lost in his own dark world. His was more deeply dejected than usual. His inner world was bleak and the world outside looked to him blacker than ever. He refused to eat and drink, or to attend to his duties as king. There was only one thing he desired: that dark object of desire for all men lost in bottomless melancholy – death.

It was then his chief wazir came to him, informing that someone was waiting to meet him – a very old man. “If I may judge by his words,” said the wazir, “he is the greatest sage, the wisest doctor, and the most extraordinary magician who has ever lived among the sons of men.” The sultan silently agreed to meet him.

The withered old man who entered did not kiss the ground in front of the sultan or bow down deeply, as was the custom. Instead he announced in a voice that reflected nothing but authority that he has come to make him, the sultan, conscious of the gifts which Allah had showered upon him. He then took the sultan by hand and dragged him roughly towards one of the four windows of the chamber in which they were. “Open!” he commanded pointing at the window. Obediently Sultan Mahmud opened the window. “Look!” the old man commanded again.

“Sultan Mahmud put his head out of the window and beheld a vast army of riders pouring down upon him from the mountain citadel, and waving naked swords. The first lines had already come to the palace foot and were climbing the walls with a clamour of war and death. Mahmud understood that his troops had mutinied, and came to kill him. He changed colour and cried: ‘There is no God save Allah! This is the hour of my destiny!’”

The old man immediately shut the window and opened it again in a single movement. The army had disappeared now. The whole palace stood enveloped in peace, as did the city around it with its four hundred minarets.

Without giving Sultan Mahmud time to recover, the old man then took him to the second window. What the sultan saw when he opened it and looked out made him recoil in horror. “The four hundred minarets of the mosques, the domes of the palace, the thousand fair terraces stretching as far as the eye could reach, were all one flaming fire, fanned by cries of terror, and belching up black smoke to hide the sun. A savage wind whooped on the flames towards the palace, until the fair building was only cut off from that red ocean by the fresh green of the gardens.” But when the old man shut the window and opened it again, the fire had disappeared and everything stood bathed in serenity everywhere.

Again the old man rushed the sultan to the third window through which he saw a furious Nile rushing towards the city to swallow it up. The waves were so tall that the tallest terraces were already under water and the river was rushing towards the palace in a violent rage. The flood had disappeared when the old man closed the window and opened it again.

What Sultan Mahmud saw through the fourth window to which the old man had dragged him without giving him time to relax was not the green fields that were there, carpeted with roses and sweet basil, narcissus and jasmine, thickets of orange trees. There were no sweet singing birds there that usually filled the whole place with their wonderful music. Instead, Mahmud saw “a red and white desert of terror burned by an inexorable sun; among its aching rocks laired starving jackals and hyenas; vile snakes sped swiftly to and fro upon it.” The sight disappeared and the green reappeared, teeming in flowers and fruits and singing birds as the old man closed and opened the window once again.

Mahmud was now utterly confused and terrified. He was no more sure whether he was awake or asleep, sane or insane. But the old man gave him no time to relax and collect himself. Instead he dragged the sultan to a small fountain that was in the chamber and commanded “Look!” pointing at the water at the base of the fountain. As Mahmud bent down to look into it, two old hands with unbelievable power forced his head under the water.

0o0

Sultan Mahmud now found himself shipwrecked at the foot a mountain that overlooked the sea. He still wore his royal clothes and his crown. At some distance were a group of rough looking people. They were looking at him and making rude gestures. He walked towards the group and announced: “I am Sultan Mahmud. Depart!”

The people laughed at him all the more. The chief of the group came to him and removed his clothes and picked up his crown. He threw the whole lot the sea, and told him, ‘Dress sensibly.” He forced the sultan to wear the coarse farmer’s clothes they were wearing. “Come and work with us,” he told Mahmud, “for in our country those who do not work must starve.”

“I do not know how to work,’ Sultan Mahmud objected. ‘But you can be an ass,’ retorted the man. ‘Anyone can be an ass.”

They dumped all their tools on him and he staggered along behind them, carrying their spades, harrows, pickaxes and rakes. When he reached the village, he was shut into an old stable and given an onion and some stale bread to eat. By the morning, he found that he had turned into an ass – but with all his human memories intact.

In the morning he was taken out for ploughing the field. He refused to budge from his place and they beat him brutally. He brayed in intolerable humiliation and agony. For braying was the only thing he could do now – he was a donkey and had no human speech. Finding him stubborn and useless, the farmers sold him to a miller.

The miller blindfolded him and tied him to the mill, forcing him to turn the mill for hours at a stretch without a break. The miller mercilessly used his goad and stick on him, apart from the constant shower of curses and kicks. His food was a daily ration of beans along with a bucket of water and his only rest was the time he took to eat the beans and drink the water. The former sultan now kept treading along from dawn to dusk turning around the mill, walking in his own dung and urine all the time.

It was five years later that an accident saved from the miller – one day the roof of the mill collapsed on his head. Sultan Mahmud found himself a human being once again.

He now found himself a stranger in an unknown city where an old man spoke kindly to him. The old man enquired if he would be staying in that city for long, adding that he would be welcome there since he was young, strong and handsome. “I would stay in any place where they did not feed me beans,” replied Mahmud.

The old man assured him that he does not have to worry on that account – he would be eating the best food possible every day of his life. “Now,” he continued, “go and stand outside the hammam at the corner of this street and ask every woman as she comes out if she is married or single. When one tells you she is single, you will become her husband instantly, for that is the law of our land. But be very careful not to omit a single woman from your questioning, or you will find yourself in grave trouble; for that is also the law our land.”

The first female Mahmud saw coming out of the hammam was a pretty girl of thirteen. “This would console me for all my troubles,” he thought. He asked her his question and the girl informed him she had already married a year ago.

The next woman to come out of the hammam was an ugly old hag. Mahmud shivered as he saw her – he had never seen a woman half as monstrous as she was. “I would rather die of hunger or become an ass again than marry this venerable ruin,” he thought. But the old man who had befriended him had talked of the consequences of leaving out any woman who came out of the public bath. He asked his question, and, to his relief, the woman told him she was married.

The next woman to come out was infinitely older and uglier than this one. Mahmud had never seen anything – anything at all – as disgusting as this one was. But he had to ask his question – he had no choice. “Are you married or single?” he asked her in a voice quaking with terror at the prospect of having to marry her. And pat came her reply, “Single, O eye of my eye.”

“I am an ass, good aunt, I am an ass! Look at my ears, look at my tail! Nice old women do not marry asses,” he told her in a begging voice. But she had already fallen in love with him. She was taking steps towards him, her mouth poised for a kiss, her harms spread out to gather him in them. Her hands were now holding his head in them and she was bringing her mouth to his.

Mahmud shook his head in violent disgust. He was finding it difficult to breathe. He fought for air, fought for his life with all his might and with a final frenzied struggle, pulled his head back.

He found he had pulled his head out of the fountain and was struggling to breathe again. He looked around. He was in his palace. His wazir was standing on his right and the old man was on his left. There was one of his favourite slave girls standing in front of him, holding out to him on a gold salver a cup of sherbet that he had commanded a few moments before the wazir had come to him to inform him of the old man wanting to meet him.

Relief flooded him. He was a king. He was not shipwrecked, he was not an ass, he was not the husband of that disgusting old, old woman. Of what a pleasure it was to be a sultan, what a privilege! Sultan Mahmud wanted to shout, he wanted to sing, he wanted to dance for joy.

But the old man had begun speaking to him. “Peace be with you, Sultan Mahmud! I am here to make you conscious of the gifts that Allah has showered upon you.” With that he disappeared, leaving no trace behind, as though he had never existed at all.

Sultan Mahmud fell to his knees, weeping; he banished sorrow from his heart, and being happy, began a life that spread happiness about him.

0o0

The Taittiriya Upanishad has something incredibly beautiful to say about bliss, ananda, which is the ultimate object of search of all beings, in a small section called the Ananda Mimamsa – an enquiry into happiness, a study of happiness. The mimamsa asks us to imagine a young man. He is young, he is noble, he is educated, firm in body and strong, and he owns the entire earth with all its wealth. The Upanishad then says let’s call the highest joy such a man is capable of experiencing a single unit of human happiness. Multiply that happiness a hundred times, and that is one unit of happiness of the gandharvas of earth. And a hundred times the happiness of the gandharvas on earth is one unit of the happiness of the celestial gandharvas. And a hundred times the joy of celestial gandharvas is one unit of happiness of the manes and a hundred times that is one unit of happiness of the gods in the temporary heavens and a hundred times that, one unit of happiness of the sacrificial gods; and a hundred times that happiness, says the Upanishad, is the happiness of the gods; and a hundred times that, the happiness of Indra.

A hundred times that, continues the Upanishad, is one unit of bliss of Brihaspati; and a hundred units of that, one unit of the bliss of Prajapati. The happiness of Prajapati, multiplied one hundred times, is one measure of the bliss of Brahma.

As the Upanishad makes this count, it tells us at each stage: and that is also the bliss of a man versed in wisdom and free from desires. That is, the young man, cultured, educated, healthy, owning the entire earth with all its wealth experiences no more happiness than the man versed in wisdom and is free from desires. Indra experiences no more happiness than the man versed in wisdom and is free from desires. Nor does Brihaspati, Prajapati or Brahma experience any more happiness than the man versed in wisdom and is free from desires.

The highest happiness belongs to a man versed in wisdom and is free from desires.

As the cheery smile and happy greeting of my milkman shows, one can be happy in the most ordinary circumstances too.

And as the instance of the executive who makes several lakhs every month shows, and as the instance of my doctor friend who feels he is less fortunate than the rikshaw puller shows, one need not necessarily be happy in the middle of riches.

A sultan can be unhappy too, until he learns to count his good fortunes.

Happiness comes from being contented and accepting. Where there is no contentment or acceptance, there is no happiness.

Years ago a Christian nun who was then my student gifted to me a copy of the Bible. Giving the book to me she wrote on the front page, quoting the Bible itself: “Happy the man who finds wisdom.”

Wisdom is finding contentment. Wisdom is finding acceptance. Wisdom is counting one’s blessings.

It is not the rich man that finds happiness. It is not the powerful man that finds happiness. It is not the famous man that finds happiness.

It is only the wise man that finds happiness.

Happiness is finding contentment. Happiness is finding acceptance. Happiness is counting one’s blessings.

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Thursday, May 28, 2009

Destiny



I have always loved the rainy season. Maybe it is because I spent all my growing up years in Kerala, where it rains incessantly for months when the monsoons come. There too, I remember, I used to sit and watch the rains, sometimes for hours at a stretch. Nature would be at its most beautiful and most powerful, with thunderstorms and torrential rains, the trees would get into wild dances, and I would sit in my veranda and watch it all for hours. The most beautiful thing to watch would be the bamboos, which were everywhere in my village and gave my village its name. They loved the storm taking possession of them, they loved surrendering themselves to the wind. And together, the rainstorm and the bamboos would go into screaming raptures – bending and stretching, quaking and shivering, shrieking and howling, clutching and letting go, every bamboo in each thicket filled with unending throes of ecstasy.

Rains have come to my city too, almost a month before it is due this year. This is probably what the meteorologists call pre-monsoons. It rained all day yesterday, almost non-stop. There were strong winds too – cyclone Aila, they say. When I was coming back from the college where I am part of a team giving a two week summer workshop to a hundred teachers, I noticed on the roadside an auto-rickshaw crushed by a fallen tree.

It was a rather strange sight. The auto-rickshaw was not on the road, but away from it, among the bushes by the roadside. I wondered how it reached there at that moment for the tree to fall exactly on it.

Some people slowed down as they saw the sight, to have a good look at it and to understand what exactly had happened. And others behind them grew impatient and blew horns. They had no time.

Like other impatient drivers, had the driver of this auto-rickshaw too hurried and hooted his horns impatiently on the way to get there exactly at that time? Had he furiously tried to overtake all other vehicles on the way, so that he could reach there exactly at that time? Had he cursed every other driver on the way who stood in his way of getting there exactly then? To be punctual on his appointment with this accident?

Did some power, say destiny, lead him on so that he reached that exact spot at that exact moment? Or was it all mere chance, coincidence?

One of the most moving short stories I have ever read is Stig Dagerman’s To Kill a Child – a very small short story. I remember reading years ago a volume of horror stories collected by Alfred Hitchcock, some of which were chilling in every sense of the word – Stories that Scared Even Me. But I found Dagerman’s story even more chilling. Deeply unsettling, the story makes us think deeply about the mysterious ways in which life suddenly takes new turns, giving us no chance to anticipate anything. Here is the complete short story:

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It’s a peaceful day as sunlight settles onto the fields of the plain. Soon bells will be ringing, because today is Sunday. Between fields of rye, two children have just come upon a footpath that they have never taken before, and in the three villages along the plain, windowpanes glisten in the sun. Men shave before mirrors propped on kitchen tables, women hum as they slice up cinnamon bread for the morning meal, and children sit on kitchen floors, buttoning the fronts of their shirts. This is the pleasant morning of an evil day, because on this day a child will be killed in the third village by a cheerful man. Yet the child still sits on the kitchen floor, buttoning his shirt. And the man who is still shaving talks of the day ahead, of their rowing trip down the creek. And still humming, the woman places the freshly cut bread on a blue plate.

No shadows pass over the kitchen, and yet even now the man who will kill the child stands near a red gas pump in the first village. He’s a cheerful man, looking through the viewfinder of his camera, framing a shot of a small blue car and a young woman who stands beside it, laughing. As the woman laughs and the man snaps the charming picture, the attendant screws their gas cap on tightly. He tells them it looks like a good day for a drive. The woman gets into the car, and the man who will kill the child pulls out his wallet. He tells the attendant they’re driving to the sea. He says when they reach the sea they’ll rent a boat and row far, far out. Through her open window, the woman in the front seat hears his words. She settles back and closes her eyes. And with her eyes closed she sees the sea and the man sitting beside her in a boat. He’s not an evil man, he’s carefree and cheerful. Before he climbs into the car, he stands for a moment in front of the grille, which gleams in the sun, and he enjoys the mixed aroma of gasoline and lilacs. No shadows fall over the car, and its shiny bumper has no dents, nor is it red with blood.

But just as the man in the first village climbs into his car and slams the door shut, and as he is reaching down to pull out the choke, the woman in the third village opens her kitchen cupboard and finds that she has no sugar. The child, who has finished buttoning his shirt and has tied his shoes, kneels on a couch and sees the stream winding between the alders, pictures the black rowboat pulled up into the tall grass of the bank. The man who will lose his child has finished shaving and is just now closing his portable mirror. Coffee cups, cinnamon bread, cream, and flies each have a place on the table. Only the sugar is missing. And so the mother tells her child to run over to the Larssons’ to borrow a little. As the child opens the door, the man calls after him, urging him to hurry, because the boat lies waiting for them on the bank of the creek, and today they will row much, much further than they ever have before. Running through the yard, the child can think of nothing else but the stream and the boat and the fish that jump from the water. And no one whispers to the child that he has only eight minutes to live and that the boat will lie where it is today and for many days to come.

It isn’t far to the Larssons’. It’s only across the road. And just as the child is crossing that road, the small blue car is speeding through the second village. It’s a tiny village, with humble red houses and newly awakened people who sit in their kitchens with raised coffee cups. They look out over their hedges and see the car rush past, a large cloud of dust rising behind it. The car moves fast, and from behind the steering wheel, the man catches glimpses of apple trees and newly tarred telephone poles slipping past like gray shadows. Summer breathes through their open windows, and as they rush out of the second village their car hugs the road, riding safely, surely, in the middle. They are alone on this road – so far. It’s a peaceful thing, to drive completely alone on a broad road. And as they move out onto the open plain, that feeling of peace settles deeper. The man is strong and contented, and with his right elbow he can feel the woman’s body. He’s not a bad man. He’s in a hurry to get to the sea. He wouldn’t hurt even the simplest creature, and yet, still, he will soon kill a child. As they rush on toward the third village, the woman again shuts her eyes, pretending those eyes will not open again until they can look on the sea. In time with the car’s gentle swaying, she dreams about the calm, lapping tide, the peaceful, mirrored surface of the sea.

Because life is constructed in such a merciless fashion, even one minute before a cheerful man kills a child he can still feel entirely at ease, and only one minute before a woman screams out in horror she can close her eyes and dream of the sea, and during the last minute of that child’s life his parents can sit in a kitchen waiting for sugar, talking casually about the child’s white teeth and the rowing trip they have planned, and that child himself can close a gate and begin to cross a road, holding in his right hand a few cubes of sugar wrapped up in white paper, and for the whole of that minute he can see nothing but a clear stream with big fish and a wide-bottomed boat with silent oars.

Afterward, everything is too late. Afterward, there is a blue car stopped sideways in the road, and a screaming woman takes her hand from her mouth, and it’s dark with blood. Afterward, a man opens a car door and tries to stand on his legs, even though he has a pit of horror within him. Afterward, a few sugar cubes are strewn meaninglessly about in the blood and gravel, and a child lies motionless on its stomach, its face pressed heavily against the road. Afterward, two pale people, who have not yet had their coffee, come running through a gate to see a sight in the road they will never forget. Because it’s not true that time heals all wounds. Time does not heal the wounds of a killed child, and it heals very poorly the pain of a mother who forgot to buy sugar and who sent her child across the road to borrow some. And it heals just as poorly the anguish of a once-cheerful man who has killed a child.

Because the man who has killed a child does not go to the sea. The man who has killed a child drives home slowly, in silence. And beside him sits a mute woman with a bandaged hand. And as they drive back through the villages, they do not see even one friendly face—all shadows, everywhere, are very dark. And when they part, it is in the deepest silence. And the man who has killed a child knows that this silence is his enemy, and that he will need years of his life to conquer it by crying out that it wasn’t his fault. But he also knows that this is a lie. And in the fitful dreams of his nights he will try instead to gain back just a single minute of his life, to somehow make that single minute different.

But life is so merciless to the man who has killed a child that everything afterward is too late.

O0O

Did it all l happen because it was destined to happen? Was it all inevitable, unavoidable, unalterable? Is there something called destiny that is inviolable? Is nothing then in our hands?

Step by step, small events lead up to the spine-chilling final event. Every event innocent in itself, and giving us no clue to what is to come like lightning and strike us in a moment, when we least expect it.

Speaking of my all-time my favourite work of literature, the Mahabharata, was the epic war there destined? Was it destiny that made Draupadi burst out in wild laughter as she watched Duryodhana mistake still water for solid floor and fall into it as he took the first step to walk across it? That abandoned laughter is in many ways uncharacteristic of the very dignified Draupadi. Was it destiny that made her abandon her dignity to the lightness of the moment? Her laughter definitely was one of the reasons that led to her humiliation later in the dice hall and that humiliation was again definitely one of the reasons that made the war inevitable.

Throughout the Ramayana, Sita has the greatest respect for her brother-in-law Lakshmana and Lakshmana’s feelings for her are more reverent than those for a sister-in-law – it is as though Sita is his mother. That is how his mother Sumitra had asked him to look at Sita as they were leaving for the jungle, and that is how he has looked at her throughout their stay in the jungle. Sita knows this. And yet when she asks him to go after Rama who has gone after the golden deer and he refuses, fearing for her safety and in the sure knowledge that no harm can come to Rama, she shockingly accuses him of lusting after her and waiting for Rama to die so that he can have her. Was it destiny working through Sita that made her say such unutterable things in those sad moments?

Or was it all matters of chance, resulting from what we are as human beings?

Arabian literature and Persian literature are full of stories about unalterable destiny. The Arabian Nights, for instance, tells several such stories, including that of prince Ajib [Agib], told by the third kalandar [calandar] in which the young son of a merchant comes and lives in a secret underground house in an uninhabited island in the middle of the ocean to avoid death that has been predicted to happen on a particular day at the hands of a particular man, Ajib. And destiny brings Ajib from his faraway kingdom through a shipwreck and other adventures to be with the youth in his underground hiding to deal him with his death exactly on the appointed day.

A Persian story tells us of the servant of a rich man who rode all day on the fastest horse, thinking he is avoiding death but was in fact running towards it. Here is the story as retold by Somerset Maugham, whose title for the story is Appointment in Samarra.

There was a merchant in Bagdad who sent his servant to market to buy provisions and in a little while the servant came back, white and trembling, and said, Master, just now when I was in the marketplace I was jostled by a woman in the crowd and when I turned I saw it was Death that jostled me. She looked at me and made a threatening gesture. Now, lend me your horse, and I will ride away from this city and avoid my fate. I will go to Samarra and there Death will not find me.

The merchant lent him his horse, and the servant mounted it, and he dug his spurs in its flanks and as fast as the horse could gallop he went. Then the merchant went down to the marketplace and he saw me standing in the crowd and he came to me and said, Why did you make a threating getsture to my servant when you saw him this morning? That was not a threatening gesture, I said, it was only a start of surprise. I was astonished to see him in Bagdad, for I had an appointment with him tonight in Samarra.

There are many versions of the story, each slightly different, but all of them telling more or less the same thing. Here is one more.

A certain rich merchant was walking through the market place of Baghdad when, standing across the street, he suddenly saw the figure of Death, beckoning him. The terrified man ran home, mounted his fastest horse, and raced five hundred miles to Samara. Later that night, there was a knock at the door. When the man answered it, there stood Death.

"Why did you beckon me in the market place of Baghdad today?" asked the man. "I did not beckon you." replied Death. "I was merely surprised to see you, for I knew that tonight, we had an appointment in Samara.

Popular Indian literature too has several such stories. Many years ago I was in Uttar Kashi in the Himalayas, conducting a meditation camp there. There was a group of some forty men and women with me, mostly officers of Tata Steel [TISCO then, Tata Iron and Steel Company] and Tata Motors [TELCO then, Tata Engineering and Locomotive Company]. While we were there, I took some of the group for a satsang with a mahatma there, a very sweet, elderly monk and a great scholar, and he narrated this story to us.

Once a bus was travelling from Rishikesh to Uttarakashi and on the way at some place a young man boarded the bus. From the moment the young man got in, accidents started taking place. Once a tire went flat, another time the bus got stuck in lose mud, and a third time it went out of control and narrowly escaped from plunging into a gorge. Everyone was frightened and everyone began saying it was all because of the young man – he is an evil omen, an apshakun. Finally the bus reached a ramshackle bridge which looked like it would collapse any moment. The river beneath the bridge was deep and narrow, scary to look at. And all the passengers in one voice protested against the young man – they wanted him to get down from the bus. They would then cross the bridge by bus, and he can walk across it and join them on the other side. The driver and the conductor of the bus sided with the passengers and the youth reluctantly agreed. He got down and the bus moved on, as he stood and watched. The bus was now in the middle of the bridge, and suddenly there were loud cracks. To the horror of the young man watching from this side, all on a sudden the bridge broke into two and the bus plunged into the depths of the river, taking the driver, the conductor and all the passengers with it.

Was it destiny saving the young man and taking all the others to their death? Or is it all just chance?

I love to believe with the Mahabharata that it is the impotent ones that worship destiny – daivam klībā upāsate. And yet at times life makes me wonder – isn’t there a powerful force called destiny? Wasn’t it destiny that led that auto rickshaw driver reach that exact spot exactly at the moment when that tree was uprooted? Wasn’t it destiny that killed the young child? Wasn’t it destiny that saved the young man and killed all the others in the bus?

Or was it? Couldn’t it all have been mere chance? [I am ignoring Appointment at Samarra here because it is a teaching story told to tell us that death is inevitable.]

Even Dagerman’s story, To Kill a Child – couldn’t it be explained as mere chance? Pure coincidence?

The newspapers carried the sad story of a young girl and her brother during the recent terror strike at Mumbai. As I remember, the girl was studying in Bombay and felt lonely and asked her brother to come over from Kolkata. A terrorist bullet killed the brother, leaving the girl unharmed. Was it destiny that made the young girl invite her brother to Mumbai, or was it pure chance, just her homesickness.

I once watched a child being run over by a bus. Right before my eyes. A little girl of around six years of age. Her school was on one side of the road and her home, on the other side, about a minute’s distance by walk. As the bell rang ending the school, the child picked up her books and ran straight to her home. And on came the bus, running over her. I can still see before my eyes the little girl falling, the front wheel of the large bus climbing over her small body as the driver desperately tried to apply the break. For full half a minute, the entire weight of the bus was on her, and then the wheel climbed back from her, leaving her dead.

What made the little girl run on that day, when she could have easily reached home in one minute? Just the urgency every child feels to reach home? Or destiny?

Not ten meters away from where the little girl was killed, I had once seen a young man lying dead, his body bathed in blood. The bus stop was five-six seconds away, but the young man wouldn’t wait. Unwilling to wait, he had jumped down from the fast moving bus.

What made him decide to make that jump? The impetuosity of youth? Or destiny?

Both the youth and the little girl were my distant cousins.

By the way, Stig Dagerman, who wrote To Kill a Child, met with his own death on 4th November, 1954. He committed suicide.

O0O

The image shows Seyella, Santharian Goddess of Destiny and Time. Santharia is an online community, engaged in developing a mythical world as JRR Tolkien did.

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